Rorschach
网站版主
-
注册时间
-
上次访问
由 Rorschach 发表的全部内容
-
-
-
-
-
-
-
-
文件名称: 使命召唤4手机主题下载 上传会员: 911pm 上传时间: 19 Mar 2008 最后更新: 9 Nov 2008 存放位置: 游戏周边 Game Extensions 5300跟6131都能用 点击这里下载文件
-
-
-
-
人民网北京3月18日电（人民网前方报道组）今天上午，十一届全国人大一次会议胜利闭幕。会后，国务院总理温家宝与中外记者见面并回答记者提问。 [法新社记者]:现在我想在座的很多人都希望能够去拉萨自己亲眼看一看到底那里发生了什么。现在不允许外国人前往西藏，而且有一些在西藏的外国人已经被逐出了西藏。所以我们特别希望能够有独立的媒体或者独立的人士去拉萨，现场评估当地发生的一切。对这样的呼声，总理您有何评论？做何反应？我们想知道如果中方对自己所提供的事实真相如此有信心，为什么不允许外国或者独立人士前往西藏？ [12:11] [温家宝]:我们理解各国新闻媒体对拉萨局势的关注。我可以向大家讲，拉萨这起事件已经基本得到平息。拉萨必将是开放的，我们会考虑组织境外的媒体去实地考察那里的情况。谢谢。 [12:11] 原文 http://news.qq.com/a/20080318/004823.htm 俺们这里20年前就有块牌子 上面写着外国人禁止入内。。。。还有个步枪男（孩） 这个问题。。。。 参照这个回答 http://www.fpschina.com/index.php?showtopic=24313鉴于论坛目前还有开放精品帖功能 所以我打算弄个置顶的帖子 把大家喜欢跟反应强烈的帖子都放进去 大家推荐几个吧Orff was born in Munich, Germany and came from a Bavarian family that was very active in the German military. His father's regimental band supposedly had often played the compositions of young Orff. Moser's Musik Lexicon states that Orff studied at the Munich Academy of Music until 1914. He then served in the military during World War I. Afterwards, he held various positions at opera houses in Mannheim and Darmstadt, later to return to Munich to pursue further his music studies. As of 1925, and for the rest of his life, Orff was the head of a department and co-founder of the Guenther School for gymnastics, music, and dance in Munich, where he worked with musical beginners. Having constant contact with children, this is where he developed his theories in music education. Carl Orff burial location in AndechsOrff's association with the Nazi party has been alleged, but never conclusively established. His Carmina Burana was hugely popular in Nazi Germany after its premiere in Frankfurt in 1937, receiving numerous performances. But the composition with its unfamiliar rhythms was also denounced with racist taunts. He was one of the few German composers under the Nazi regime who responded to the official call to write new music for A Midsummer Night's Dream after the music of Felix Mendelssohn had been banned — others refused to cooperate in this. But Orff had already composed music for this play as early as 1917 and 1927, long before this was a favour for the Nazi government. Orff was a personal friend of Kurt Huber, one of the founders of the resistance movement Die Weiße Rose (the White Rose), who was condemned to death by the Volksgerichtshof and executed by the Nazis in 1943. After World War II, Orff claimed that he was a member of the group, and was himself involved in the resistance, but there was no evidence for this other than his own word, and other sources dispute his claim. Canadian historian Michael H. Kater made in earlier writings a particularly strong case that Orff collaborated with Nazi authorities [1], but in his most recent publication "Composers of the Nazi Era: Eight Portraits" (2000) Kater has taken back his earlier accusations to some extent. Orff's assertion that he had been anti-Nazi during the war was accepted by the American de-nazification authorities, who changed his previous category of "gray unacceptable" to "gray acceptable", enabling him to continue to compose for public presentation. Orff died at the age of 86 and is buried in the Baroque church of the beer-brewing Benedictine priory of Andechs, south of Munich. His tombstone bears his name, his dates of birth and death, and the Latin inscription "Summus Finis" ("The ultimate goal"). [edit] Musical work O Fortuna From Carmina Burana by Carl Orff Problems listening to the file? See media help. Orff is most known for Carmina Burana (1937), a "scenic cantata". It is the first of a trilogy that also includes Catulli Carmina and Trionfo di Afrodite. Carmina Burana reflected his interest in medieval German poetry. Together the trilogy is called Trionfi, or "triumphs". The composer described it as the celebration of the triumph of the human spirit through sexual and holistic balance. The work was based on thirteenth-century poetry found in a manuscript dubbed the Codex latinus monacensis found in a Bavarian monastery in 1803 and written by the Goliards; this collection is also known as Carmina Burana. While "modern" in some of his compositional techniques, Orff was able to capture the spirit of the medieval period in this trilogy, with infectious rhythms and easy tonalities. The medieval poems, written in an early form of German and Latin, are often racy, but without descending into smut. With the success of Carmina Burana, Orff disowned all of his previous works except for Catulli Carmina and the Entrata, which were rewritten until acceptable by Orff. As an historical aside, Carmina Burana is probably the most famous piece of music composed and premiered in Nazi Germany. Carmina Burana was in fact so popular that Orff received a commission in Frankfurt to compose music for A Midsummer Night's Dream, which was supposed to replace the banned music by Mendelssohn. After the war, he claimed not to be satisfied with the music and reworked it into the final version that was first performed in 1964. Orff was reluctant to term any of his works simply operas in the traditional sense. His works Der Mond ("The Moon") (1939) and Die Kluge ("The Wise Woman") (1943), for example, he referred to as "Märchenoper" ("fairytale operas"). Both compositions feature the same "timeless" sound in that they do not employ any of the musical techniques of the period in which they were composed, with the intent that they be difficult to define as belonging to a particular era. Their melodies, rhythms and, with them, text appear in a union of words and music. About his Antigone (1949), Orff said specifically that it was not an opera, rather a Vertonung, a "musical setting" of the ancient tragedy. The text is an excellent German translation, by Friedrich Hölderlin, of the Sophocles play of the same name. The orchestration relies heavily on the percussion section, and is otherwise fairly simple. It has been labelled by some as minimalistic, which is most adequate in terms of the melodic line. The story of Antigone has a haunting similarity to the history of Sophie Scholl, heroine of the White Rose, and Orff may have been memorializing her in his opera. Orff's last work, De Temporum Fine Comoedia ("A Play of the End of Time"), had its premiere at the Salzburg music festival on August 20, 1973, performed by Herbert von Karajan and the Cologne Radio Symphony Orchestra and Chorus. In this highly personal work, Orff presented a mystery play, in which he summarized his view on the end of time, sung in Greek, German, and Latin. Musica Poetica, which Orff composed with Gunild Keetman, was used as the theme music for Terrence Malick's 1973 film Badlands. Hans Zimmer later reworked this music for his 1993 True Romance score.
